“’Psych-Burn’ was what musicians call a ‘contract-breaker’. ABC had given us some coin to make a few short films for a TV Pilot. “Love-In Tonite” was to be a psychedelic rock variety show with live performances, skits, and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if “Midnight Special” was produced by Aaron Spelling. Then cast Charles Nelson Reilly as emcee. That would have been a far more lively show than “Love-In Tonite”. So I decided to deliver the suits a farewell kick-in-the-butt called ‘Psych-Burn’. The best part was that they presented my film sight unseen at a board meeting about the new Fall Season. I heard some heads rolled over that one.” —JXW
“’Psych-Burn’ was what musicians call a ‘contract-breaker’. ABC had given us some coin to make a few short films for a TV Pilot. “Love-In Tonite” was to be a psychedelic rock variety show with live performances, skits, and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if “Midnight Special” was produced by Aaron Spelling. Then cast Charles Nelson Reilly as emcee. That would have been a far more lively show than “Love-In Tonite”. So I decided to deliver the suits a farewell kick-in-the-butt called ‘Psych-Burn’. The best part was that they presented my film sight unseen at a board meeting about the new Fall Season. I heard some heads rolled over that one.” —JXW
DirectorJ.X. Williams
