Guillermo Franco photographs the same city every day of his life. He does so with an analog camera, stores the rolls for years, and develops them randomly. He archives the negatives and, some time later, rediscovers those images. Under a philosophy that prioritizes the emotional experience of looking, Franco builds, over time, an intimate cartography of his own gaze and, at the same time, a visual memory of his city. Pequeños ojos rescues his artistic process and reveals the essence of who is, perhaps, the greatest exponent of everyday life photography in Córdoba in Argentina.
Guillermo Franco photographs the same city every day of his life. He does so with an analog camera, stores the rolls for years, and develops them randomly. He archives the negatives and, some time later, rediscovers those images. Under a philosophy that prioritizes the emotional experience of looking, Franco builds, over time, an intimate cartography of his own gaze and, at the same time, a visual memory of his city. Pequeños ojos rescues his artistic process and reveals the essence of who is, perhaps, the greatest exponent of everyday life photography in Córdoba in Argentina.
DirectorGabriela San Martín
