While on one hand Mississippi belongs to the tradition of avant-garde film, it mantains an ironic distance at the same time. What in the beginning of Mississippi appears to be a lavishly choreographed dialog between natural chaos and abstract structure is revealed at some point as an autonomous concert of forms.
While on one hand Mississippi belongs to the tradition of avant-garde film, it mantains an ironic distance at the same time. What in the beginning of Mississippi appears to be a lavishly choreographed dialog between natural chaos and abstract structure is revealed at some point as an autonomous concert of forms.
DirectorArash T. Riahi
