There is hardly any image in Cellule 719: from time to time we see a glimpse of water, but otherwise the film is mainly black. The texts that appear on the screen in grey are from ‘Ein brief Ulrike Meinhofs aus dem Toten Trakt’, a letter written in 1972 by the RAF member Ulrike Meinhof, when she was just imprisoned. For Annik Leroy, this video project is only an intermediate stop in a longer process, a study of the historical RAF and, even more so, into the psychological mechanisms of terror, and the personality structure of a public figure who is left alone in complete isolation with her most private self.
There is hardly any image in Cellule 719: from time to time we see a glimpse of water, but otherwise the film is mainly black. The texts that appear on the screen in grey are from ‘Ein brief Ulrike Meinhofs aus dem Toten Trakt’, a letter written in 1972 by the RAF member Ulrike Meinhof, when she was just imprisoned. For Annik Leroy, this video project is only an intermediate stop in a longer process, a study of the historical RAF and, even more so, into the psychological mechanisms of terror, and the personality structure of a public figure who is left alone in complete isolation with her most private self.
DirectorAnnik Leroy
