“Bonding Humanity (Perhaps Manifesto)” is created by deliberately rearranging, reorganising and juxtaposing fragments from New Yugoslav Film* ("Yugoslav Black Wave") and its cinematic heritage related to the interplay between collective spaces and their uses. Personal, social and political contexts intersect into a dialogic narrative form that advances possibilities for new interpretations. The voiceover manifesto is manoeuvred to evoke personal trajectories and collective memories. By involving the essay film as a tool for creative exploring, one is able to discover and question the borders of an uncertain past, present and future. Having in mind that it’s subject - a patchwork of decontextualised memories - be they artificial or authentic, personal or historical, is something to be nursed.
“Bonding Humanity (Perhaps Manifesto)” is created by deliberately rearranging, reorganising and juxtaposing fragments from New Yugoslav Film* ("Yugoslav Black Wave") and its cinematic heritage related to the interplay between collective spaces and their uses. Personal, social and political contexts intersect into a dialogic narrative form that advances possibilities for new interpretations. The voiceover manifesto is manoeuvred to evoke personal trajectories and collective memories. By involving the essay film as a tool for creative exploring, one is able to discover and question the borders of an uncertain past, present and future. Having in mind that it’s subject - a patchwork of decontextualised memories - be they artificial or authentic, personal or historical, is something to be nursed.
DirectorNina Bačun
