One can become involved in a subject to the point of no return. In a found-footage work using images from Amalia, the first Argentine fiction film from 1914, this short film explores a man’s obsession with a woman entangled in a political mystery during the fateful years of Rosas’ rule in Argentina.
One can become involved in a subject to the point of no return. In a found-footage work using images from Amalia, the first Argentine fiction film from 1914, this short film explores a man’s obsession with a woman entangled in a political mystery during the fateful years of Rosas’ rule in Argentina.
DirectorJulieta Amalric
